Wednesday, May 7, 2014
Charlie XCX TAKES TOP HONORS AT SESAC AWARDS 2014
Posted by Entertainment Linx at 8:33 AM
Labels: awards, charlie xcx, hezekiah walker, pop, pop awards, pop star, rico love, sesac, the orchard, trey songz
Tuesday, May 21, 2013
Rico Love takes top Honors at the 17th Annual SESAC POP AWARDS
| photo credit at the bottom |
Posted by Entertainment Linx at 12:09 AM
Labels: awards, glassnote, kelly rowland, records, rico love, sesac, songwriter, swizz beatz
Thursday, June 2, 2011
2011 SESAC Awards

On May 11th, 2011 Entertainment Linx attended the 2011 SESAC Awards. Among the artists and award winners in attendance Rico Love took home the title of Songwriter of the year. In case you aren't familiar with the name, his resume includes Beyonce’s “Sweet Dreams”, Usher’s “There Goes My Baby”, and “Hey Daddy (Daddy’s Home)”.
Hillary Scott of the group Lady Antebellum also took home top honors winning Song of the Year for Lady Antebellum's “Need You Now.” The song is now over triple platinum and was at the top of the Billboard charts for 5 consecutive weeks.
Others in attendance included Bryan-Michael cox, Chrisette Michele, and Traci Hale just to name a few.
Established in 1930, SESAC is a service organization created to serve both the creators of music and music users through music licensing and timely, efficient royalty collection and distribution. The second oldest and fastest growing performing rights organization in the U.S., SESAC is known for its diversified repertory that includes genres ranging from Adult Contemporary, Urban, Jazz, Rock, Americana, Contemporary Christian, Latin, Country, Gospel, Dance, Classical and New Age. For more information on SESAC and their history visit their website, at http://www.sesac.com/About/History.aspx
Also be sure to check out our coverage below and on our youtube page.
By Chris Pizzolo and Maurice Willis
Posted by Chris Pizzolo at 4:24 PM
Labels: awards, music, performing rights, pro, sesac, songwriter
Monday, December 13, 2010
How Do Musicians Get Paid When The Music Is Played On Pandora or Sirius Radio

Musicians MUST REGISTER with SoundExchange in order to get paid royalties from digital performances. Digital performances include having songs played on Pandora or Sirius Radio. I know that you might think that being registered with ASCAP, BMI or SESAC covers this, but it doesn’t. Separate registration with SoundExchange is required to collect royalties when your music is played on digital and satellite music providers.
SoundExchange pays royalties to performers and copyright owners. If you own your own track and play on it, then you get paid twice.
The only catch is that Musicians, performers and copyright owners must be proactive in registering with SoundExchange to collect their money.
–>Register with SoundExchange –> http://www.soundexchange.com/
p.s. if you haven’t already submitted your music to Pandora or Sirius Radio here is the contact info for that too. http://www.pandora.com/corporate/contact.shtml & http://www.sirius.com/contactus
-Vanessa Kaster
Source: http://blog.artistshousemusic.org/post/1544479375/how-do-musicians-get-paid-when-the-music-is-played-on
Tuesday, August 24, 2010
Steams of Revenue: How Songwriters Make Money
Music is everywhere. You turn on your tv, see a youtube video or turn on the radio and hear a famous artist performing a song. But who makes money when the public hears or sees a performance? It is a common misperception to think that the artist you see or hear is making all of the money from that song. In the pop world, especially, this is not true. Don’t get me wrong, the famous artist probably has more money than you or I could ever dream of. However, the main revenue streams come from songwriting. Oftentimes, pop stars do not write their own songs. Songwriting for bands or artists can bring in huge amounts of money. The main areas of revenue from songwriting come from mechanical royalties, performance royalties and synchronization licenses. Suppose you write a song and a major artist (for this post let’s use Justin Timberlake) decides he wants to record your song and put in on his next album. If your song has never been released to the public his label will have to pay you a First Use Mechanical License. This gives Mr. Timberlake the right to be the first person to reproduce and distribute your song. The rate for a First Use is negotiable and varies widely. You have to weigh the exposure of being on Justin Timberlake’s next album vs. your leverage in getting paid. But, keep in mind; this will not be your only source of revenue. Let’s say you and Timberlake’s label settle on $15,000 for the First Use right (this could be and probably is higher or lower). So, you now have $15,000 in your pocket but cannot be the first one to record and release your own song. That tradeoff is up to you. Let’s assume you think it is worth it. What other sources of revenue streams can you now expect from this song? First off, for every copy of the song reproduced you should receive 9.1 cents. Usually, this is only paid on each copy sold (digital or physical). So, for every album sold you should received 9.1 cents. If your song happens to be the single or a hit, chances are your song will sell digitally as a single more than the entire album. So, for every 99 cent download you should receive 9.1 cents. If the single or single and album combined sell 1,000,000 you should receive $91,000. Not bad. Not bad at all. Keep in mind that label contracts and tricky accounting can lower these numbers. However, the 9.1 cent rate is set by the government. Another lucrative source of revenue is from synchronization licenses. Every time a song is placed with a visual (think on a tv show, in a video game or in a movie) the writer and publisher must grant a synchronization license. This is a negotiated rate. A hit movie can pay in the hundreds of thousands of dollars for a theme song or a song that plays in the climax of a movie. A television show will pay less but this difference can be made up in performance royalties. Did someone say performance royalties? Yes. In addition to getting paid to have your song in a movie or television show you will also receive money each time the tv show airs, the movie is shown outside the U.S. or shown on tv. Lastly, if your song is a single and receives radio airplay or is played on the internet you will receive performance royalties. All of these performance royalties are collected and distributed by performance rights organizations. In the U.S. we have three; ASCAP, BMI and SESAC. As you can see being a songwriter can be a very lucrative business. You will have access to multiple revenue streams. Think of the writers of the song “Toxic” by Britney Spears. She did not write that song. However, every time it aired on MTV or radio the writers received performance royalties; every time her album sold or someone bought “Toxic” the writers received a mechanical royalty. If anyone wanted to use the song in a video game, movie or tv show , the writers would get paid multiple times. Also, if any cover versions are done the writers would receive mechanical royalties. I really wish I wrote that song. Protecting yourself as a songwriter is not an easy proposition. Seek counsel if anyone wants to buy your song or if you are going start publishing your own material.
Posted by Entertainment Linx at 5:17 PM
Labels: ascap, bmi, britney spears, just timberlake, mechanical licensing, mtv, radio, sesac, toxic, youtube
